Understanding Picasso Ceramics

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By Alex Adelman

Etched work on the plate.
See all 4 photos
Etched work on the plate.
1) The official MADOURA PLEIN FEU arch stamp, "Edition Picasso", and numbering.
1) The official MADOURA PLEIN FEU arch stamp, "Edition Picasso", and numbering.

Alex Adelman, on the importance of Picasso ceramics

It was on July 21st, 1946 that Picasso visted an annual potters exhibition in Vallauris, France. His exact intentions are unknown, but we do know he took interest in the Madoura stall and asked to speak to the author of these works. Suzanne and Georges Ramié welcomed him into their workshop, and by the end of the day he had his hands covered in clay.

From that point on, Picasso began creating masterpieces with this newfound medium.

People interested in collecting these original works seek to purchase collections edited and produced with exclusive rights by Madoura Pottery, such as these Picasso ceramics. These works are both marked and stamped on the underside of the base, indicating the ‘Edition Picasso’ & ‘Madoura Plein Feu’ from which this piece is derived, along with the edition number.




Variations are present within editions

Not every work is made exactly the same as the others in the edition. You will see variations within an edition. This Picasso plate from Alex Adelman Masterworks Fine Art, is from the numbered edition of 100.

Picasso ceramic plate, Polychrome Bird, 1947

original Madoura ceramic dish is made of white, earthenware clay with decoration in engobes and oxides.
original Madoura ceramic dish is made of white, earthenware clay with decoration in engobes and oxides.
Official stamps, plus a atypical edition numbering of J106 | 51/200.
Official stamps, plus a atypical edition numbering of J106 | 51/200.

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